Mājuli or Majoli is a large river island in the Brahmaputra River, Assam, India. The island had a total area of 1,250 square kilometres (483 sq mi), but having lost significantly to erosion it had an area of only 352 square kilometres (136 sq mi) in 2014.Majuli has shrunk as the river surrounding it has grown.
The island is formed by the Brahmaputra river in the south and the Kherkutia Xuti, an anabranch of the Brahmaputra, joined by the Subansiri River in the north. Mājuli island is accessible by ferries from the city of Jorhat. The island is about 200 kim east from the state's largest city —Guwahati. It was formed due to course changes by the river Brahmaputra and its tributaries, mainly the Lohit. Mājuli is the abode of the Assamese neo-Vaisnavite culture.
Originally, the island was a long, narrow piece of land called Majoli (land in the middle of two parallel rivers) that had the Brahmaputra flowing in the north and the Burhidihing flowing in the south, till they met at Lakhu. Frequent earthquakes in the period 1661–1696 set the stage for a catastrophic flood in 1750 that continued for 15 days, which is mentioned in historical texts and reflected in folklore. As a result of this flood, the Brahmaputra split into two branches — one flowing along the original channel and the other flowing along the Burhidihing channel and the Mājuli island was formed. The Burhidihing's point of confluence moved 190 km east and the southern channel which was the Burhidihing became the Burhi Xuti. The northern channel, which was previously the Brahmaputra, became the Luit Xuti. In due course, the flow in the Luit Xuti decreased, and it came to be known as the Kherkutia Xuti; and the Burhi Xuti expanded via erosion to become the main Brahmaputra River.
The locals speak in the Mising and Assamese languages.
Reference regarding the early existence of Majuli is found in Yogini Tranta that Sutiya king Ratnadhajpal founded his capital in Ratanpur, Majuli which was perhaps washed away by the Brahmaputra.
Mājuli has been the cultural capital of Assamese civilisation since the 16th century; based on written records describing the visit of Srimanta Sankardeva — a 16th-century social reformer. Sankardeva, a pioneer of the medieval-age neo-Vaishnavite movement, preached a monotheist form of Hinduism called Vaishnavism and established monasteries and hermitages known as satra on the islet.
The island soon became the leading center of Vaishavinism with the establishment of these satras. After the arrival of the British, Majuli was under the rule of the British until India gained independence in 1947. It is one of world's biggest river islands.
The festival of Ali aye ligang is celebrated during mid-February with great pomp and show. It is celebrated for five days starting from second Wednesday of February till the next week. Local dishes like purang apin (rice wrapped in special leaves), apong (rice beer) and dishes made of pork, fish and chickens are served. Traditional Mising dance Gumrag Soman is performed in every village worshiping the almighty Donyi polo (mother sun and father moon) asking for good year of harvest.
Other festivals like Christmas is celebrated by the majority Christians of Mising tribe in upper Majuli where Jengraimukh village is the epicentre of Christians. Majuli has been the cultural capital and the cradle of Assamese civilization for the past 500 years. The satras set up preserve antiques like weapons, utensils, jewellery and other items of cultural significance. Pottery is made in Mājuli from beaten clay and burnt in driftwood fired kilns in the same mode carried out by the peoples of the ancient Harrappan Civilisation. Sociologists have stressed the preservation of these unique peoples, whose culture and dance forms are untouched by modernism. The hand-loom work of these tribes is internationally famous.
Virtually every person on the island is involved in the three-day long raas festival, depicting the life of Krishna. People from hundreds of kilometers away come to celebrate this festival including a number of expatriate members of community. The satras have honed certain art and craft traditions, which can now be found only here. In Natun Samuguri Satra for example, one can still find the craft of mask-making; and in the Kamalabari Satra the finest boats are made.
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